THE SWEATER, THE BULLET

This poster reinterprets Brother (1997) through absence.

Instead of portraying the protagonist, the design focuses on a single object — a worn, hand-knitted sweater. The garment becomes a silent witness, carrying the psychological and moral weight of the character.

A small bullet hole at the chest replaces narrative exposition. There is no violence shown, no face, no action — only consequence.

The poster explores transformation: a man shaped by circumstance, leaving behind identity and innocence. The sweater becomes a biography.