«41» is a contemporary analog photography lab that produces limited-edition runs of disposable cameras. The concept is built around the idea of a «single take»: each camera is designed for exactly 41 shots, which cannot be deleted, edited, or retaken.

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After the roll is finished, the user sends the camera to the studio, where the team develops the film and returns the images to the owner as printed photographs or in the form of an archival photo album.

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Brand’s slogan / «One life. One frame»

In an era of digital excess and endless retakes, «41» restores photography’s physical value and turns the act of shooting into a mindful collaboration with the moment.

The brand doesn’t just sell cameras — it offers an experience of inhabiting time, where every mistake becomes part of a unique story.

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Logo options in different color combinations

The brand’s visual and conceptual identity is rooted in the poetics of Bi Gan’s film Kaili Blues, where the number 41 becomes a metaphor for the continuity of time, echoing the film’s legendary single-take sequence. Like the director’s camera, which follows the protagonist without editorial cuts, the brand eliminates the possibility of editing life: the film becomes an unbroken line of experience.

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A moodboard of movie clips that inspired me

The color palette is inspired by objects encountered throughout the film.

The typography is based on a modified Movie Letters Cyrillic font that has been adapted to the brand’s identity. Raleway font is used for microtypography

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Adopting the mission of the main character — doctor Chen Sheng — the brand helps «preserve» fleeting moments, transforming them from ephemeral memories into tangible artifacts of personal history.

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Posters text: One life. One take

Film poster

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A poster that could be featured in the film’s advertising campaign in Russia

Brand visual assets

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The packaging says: One life, one take. Microtypography: Capture life in the moment, don’t think about the frame, you have 41 opportunities to see your life as it is

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The inscription on the album: Pskov, a city in the Leningrad region The packaging says: From Team 41 with love

I came up with an advertising campaign for the brand, built around the feeling of «here and now.» At the heart of the idea are posters with mirrors. They don’t just reflect the person looking at them—they capture a moment that can never be rewound.

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